I purposefully unplanned this day so I could enjoy the sunlight crawling up the windows and an entire New Yorker articlein one sitting, accompanied by the lazy folk sounds of Wild Child.
Six pages is a lot to read in one sitting, maybe too much, but not when it’s in The New Yorker and not when it is written by a witty, thoughtful ninety-three-year-old man. I hope I bump into him, but I am afraid we run in different circles and Central Park is not the most convenient place for me to hang out in the afternoon. Maybe I’ll write him anyway because, who knows?
I am one of those people who tries to boast an “old soul,” so maybe we would get along just fine. I could sit for hours and listen to his tales. I once wrote several stories for a local paper about an assisted living home. I sat down with real people who had lived real, lengthy lives and just listened. It was definitely my favorite work in “advertising,” because it didn’t feel like I was trying to convince anyone to buy anything. It felt like I was having coffee with Glenda and Bob and Ruth, because that’s what I did.
The sun is making it almost impossible to see my computer screen now, but I refuse to move from my spot by the window. The golden glow on my little clicking fingers is too wonderful a feeling to abandon quickly.
Sooner or later, I will crawl out from under this purple flowered afghan my Gram gave me because I have plans to meet a friend for coffee. I will face ordinary things like watering apartment plants and attempting laundry and cleaning a manageable corner of this living space. Sooner or later and in a few minutes, I will pull away from the screen and just sit a bit before this whole glorious Monday slips away in underwhelming presidential celebration.
But I’ll first let the sun play on my knuckles a little, teeny bit longer because I imagine these are the moments Roger Angell would tell me to appreciate.
The Atlantic did not have to be the one to tell me.
I did not, necessarily, need to read it from the pen of artists who have already ‘made it,’ but I suppose I believed it more easily. I was quick to let the words resonate – to make my solitude-seeking legitimate and unselfish and regular. Maybe it was just that title, “What Great Artists Need: Solitude” that made me first click through to the lengthy article. I want to be a great artist someday (everyday) and I will gladly take all pieces of free, expert advice.
And so Dorthe Nors tells me she learned about needing solitude from the creative genius of Swedish film director Ingmar Bergman. In addition to having a very interesting name, Bergman is known for directing somewhere around sixty films and documentaries. But Nors points to his writing in The Atlantic article.
All of it resonated, but some little bits are still haunting me almost two weeks later. Because I do battle with solitude. Every time I plan a party or agree to a coffee date there are moments (and sometimes many) when I want to cancel. I want to turn inside myself because it is easier and because I’m out of energy and because there is no way I can attempt all the creative things on my to-do list if I am never alone. Let’s be honest – forget creative… I won’t get to the practical things either like cleaning out the fridge or fixing our bathroom door so it closes or worrying about the baby mouse I have seen scurry across our kitchen floor twice.
Alone time is good to get things like your kitchen and your bathroom and your soul in order. Solitude should not always get the leftovers because many times it is where we do serious business with the demons in our lives. Nors writes,
“Solitude, I think, heightens artistic receptivity in a way that can be challenging and painful. When you sit there, alone and working, you get thrown back on yourself. Your life and your emotions, what you think and what you feel, are constantly being thrown back on you. And then the “too much humanity” feeling is even stronger: you can’t run away from yourself. You can’t run away from your emotions and your memory and the material you’re working on. Artistic solitude is a decision to turn and face these feelings, to sit with them for long periods of time.
It takes the courage to be there. You run into your own pettiness. Your own cowardice. You run into all kinds of ugly sides of yourself. But the things that you’ve experienced in your life become the writing that you do. And there’s no easy way to get to it, if you want to write literary fiction.
And that’s what Bergman and other Swedish writers have taught me—to stay in that painful zone, discipline myself through it to get where I want.”
This is what Swedish authors are teaching Nors and what Nors is teaching me. It does take courage to be alone – and not just for the baby mouse that needs to be caught in my kitchen. I am a petty person and cowardly and all kinds of ugly. If I’m never alone, I never really feel the weight of those things I am. Nors talks about something Bergman wrote in one of his journals, compiled in a book called Images,
“Here, in my solitude, I have the feeling that I contain too much humanity.”
It’s not even about creating the kind of literary fiction that will be remembered like Bergman and Nors. It’s about having the imprint of eternity on our souls… and knowing that the eternal imprint is never contained by a body or inside a day.
It’s a too much feeling that not all the words in all the world could explain. But it is a tension that doesn’t need explanation as much as it needs space.
Rest. Tension. Time. Space. Struggle.
All this, my solitude-seeking, could also be related to my search for Sabbath rest. Artist or not, we all need that.
It was a jumble of reasons that landed me in the middle of reflections on solitude and Sabbath as I read the lessons Dorthe Nors learned from Ingmar Bergman. But, I guess I get it. It is good to be with people, but it is good to be alone – to fight against the too much pushing free of my chest. It is good to do battle with the space between my silent face and an empty ceiling. It is good to sit with the painful, weighty bits of humanity inside that remind me I am weak and poor and ill-equipped for everything I try.
It is good to make space enough for a full swing of the only sword fashioned to win against such a mighty weight, such a mighty too much.
Sometimes, in a season of late winter nights and early chilled mornings, my eyelids protest at half-mast to honor the sleep they have been denied. Sometimes, I am more gauche than my unusually high average. I leave pancakes on the hot stovetop in the morning and I spontaneously hit up galleries in Manhattan looking like disaster and I lean over to check the hot water when my roommate inserts this phrase calmly into the story she was telling,
“… ‘is your scarf on fire? your scarf is ON FIRE”
These are real life stories of my real life self. And, surprisingly, I am not more graceful at half-mast. After forcing my eyes into alert and screaming like a scared child, I hopped back and forth and swiped at the sparks jumping around my neck. So smooth.
And last night, half-mast style, I sat my gray dress down with a beer in the kitchen while a roomful of wonderful people enjoyed macaroons and comedy in Patrick’s tiny living room with no seating. I crossed my legs on the food-covered wood floor and admired the fact that I was still wearing uncomfortable heels… and the fact that the macaroon making party wasn’t a complete disaster and mostly the fact that there was a successful gathering of friends and strangers and neighbors laughing in the other room.
My second wind came eventually and it carried me through until 4:30 am, when we walked into my apartment after I lost to Patrick (but within respectable reach) in the game Ticket to Ride EuropeEdition.
On a regular basis, I am wrestling the wind instead of feeling the breeze. I don’t know if one is better than the other, maybe they are equal and equally good. But these are real life stories about my real life self.
We really did invite 20 people into Patrick’s apartment last night to whisk egg whites into stiff peaks and blend $15 almond meal with powdered sugar and cocoa. I really did attempt a very specific recipe that reads “difficulty: hard” with a bunch of people who were varying levels of comfortable in the kitchen. But that didn’t really matter, because it was all set up on a 2×10 piece of wood on top of two chairs next to the bookcase in the living room.
Wrestling the wind is risky.
I’m never sure where I will get thrown and if the landing will be safe. In a literal sense, Patrick thinks I should get renter’s insurance and never leave the stove when I turn it on. As an analogy, I don’t think insurance is an option.
Sitting next to Patrick in the kitchen last night listening to the laughter in the other room, I knew that wrestling the wind was worth it. Chocolate disasters and recipe improvisations and floor seating… all of it. I guess life and fullness is about inviting people in to messes as much as it is inviting people in to order.
We are all amateurs at life, at least everyone I have met. Our lives are not storyboarded like a Kinfolk photo essay. The recipes we attempt are not always delicious and sometimes we have to throw something away and start from scratch (during the dinner party). Our apartments don’t have seating enough for a crowd more than three. We spill wine and say the wrong thing and misspell macaroon. We are all amateurs at life and it is okay to be honest about all the ways we are not “adult.”
Maybe I’ll never have a full day to prepare for a party. Maybe I won’t ever feel confident about the space I invite people into or my attempts to make them feel “at home,” but my attempts as I wrestle the wind are worth it because of the laughter in the other room.
I think God means for us to live together like amateurs, to invite each other into chocolate disasters and ill-fitted living rooms. I hope I don’t ever get old enough or adult enough to stop learning these lessons. I am listening to the protests of my half-mast eyes and I will sit to feel the breeze soon, but right now I’m surveying the scene where the wind has thrown me. And it looks good.
Today is a new day and today is the Sabbath, so it has two things going for it and the clock still says 8 am.
The Lord welcomes me when days have weight I do not understand.
The Lord is faithful and He is strong.
And today I will not pretend to steal strength.
Maybe if I start off admitting my weakness, I will not be so surprised when I need to lean on His strength. More than just admitting, though, this day’s beginning needs believing that it is good to not be God. It is good to believe God is completely and uniquely God, that all things rest on His shoulders and all things are held together in His hand.
“In our giving heed to God’s power there rises up in us a realization that God created the universe for this: So that we could have the supremely satisfying experience of not being God, but admiring the Godness of God — the strength of God. There settles over us a peaceful realization that admiration of the infinite is the final end of all things.” Solid Joys Devotional, Gladly Not God
It is good to believe that being human is okay and even just the way God planned things. It is good to praise God for the strength it takes to hold the world together. And as I praise this God of strength today, I will not pretend to steal strength away because it never works.
Being human and weak is the only way we can rejoice in the freedom of God being God and strong.
Friends, this is one of those posts on one of those days. But I probably don’t mean what you think. Nothing dreadful happened and I am not hormonal.
Beauty got weaved in among other things – into the rearranged plans and the winter traipsing and the new basil plant in our little kitchen windowsill. Beauty got weaved in and now I’m writing by a candle my roommate lit to keep me company in the rest of these night hours. Just me and my chai tea + honey + coconut almond milk, candlelit and tucked inside this Brooklyn winter night – inside the beauty that got weaved in among other threads.
I am not quite sure what makes a beautiful day seem heavy or hard. Maybe I imagine sadness into open spaces or maybe that giant glass sculpture we walked through in the meatpacking district really did have a deeper effect than I thought.
I guess I think there is a way to experience beauty in the negative. It looks like sadness over sketchbooks that stay closed and sadness over craft boxes that stay hidden under beds. It looks like doodled inspiration for home improvement projects and the keyboard leaning in the corner of the living room.
And maybe that is the sadness that makes Saturdays feel heavy, because beauty needs space.
Beauty needs to be breathed in without a city metronome. Beauty needs to hear us say “Yes” when it isn’t convenient or instantly beneficial and sometimes my voice gets garbled up in my throat. Sometimes it is hard to know what is beautiful and life feels too crowded to do anything slowly.
That’s probably why I ended up sprawled out on my neighbor’s floor, looking at photographs of America in the 1900s. Photographs were different then – few were taken an arm’s length away. I turned the black and white pages slowly, reading captions and imagining the stories that unfolded after the moments were captured.
This is some of the beauty that got weaved in, but it made me aware of the beauty that got left out. How can I get more of the discernment to know which is which? And is it okay to be sad that I’m not better at choosing?
We’re in the middle of fashion week in this fine city. I know this mostly because I’ve seen more 6+ foot beauties working the sidewalks like runways. I don’t know how the wind follows them so it always blows their manicured hair in the right direction, but it is impressive. They look the right amount of tussled and flustered, with the cold concrete city as a backdrop.
And we’re all just trying to make space for beauty.
We are all trying to choose what is beautiful even when life feels too crowded to enjoy anything slowly. There is both nothing and too much to do on our lists of lovely things. Maybe I’ve imagined this weight and we do not need to be brave about beauty. But maybe not.
Maybe it is okay to feel like days have weight.
Maybe it is okay to be sad about beauty that never gets used or loved or held. Maybe it is okay that a sculpture sunk your spirit and it is okay that the feeling followed you all day.
Usually, when I talk about abundance I am talking about the kind of life Jesus came to bring.
I’m talking about overflowing cups and about grace that is more than enough. I’m talking about bust-at-the-seams joy and about delight that chases sunlight. Usually, when I talk about abundance, it sounds like things you want to have seeping out from the pores of your life.
Then I read these words from Francis Schaeffer in True Spirituality,
“We are surrounded by a world that says no to nothing. When we are surrounded with this sort of mentality, in which everything is judged by binges and by success, then suddenly to be told that in the Christian life there is to be this strong negative aspect of saying no to things and no to self, it must seem hard. And if it does not feel hard to us, we are not really letting it speak to us.” – Schaeffer, True Spirituality
This is a different, empty abundance, and it is everywhere. I can literally think of absolutely any desire and then indulge at some point on my commute home from work. Feeling sad? Eat cake. Feeling tired? Buy a latte. Feeling lonely? Arrange a meet up with friends. Feeling overcrowded? Pick up takeout and watch netflix. Feeling poor? Swipe your plastic to prove you can still splurge. Feeling bored at work? Job search on Linkedin while in transit. Feeling achy and sore? Swing by the corner store for medicines.
We don’t like to be limited.
We want an abundance we control – an abundance that serves us and gratifies our petty, momentary desires. We want an abundance that tastes like chocolate and comfort and success. We want an abundance that never hurts, never sweats, never needs anything but our desire for more of it. We want an abundance we can control.
Schaeffer is framing a concept in the second chapter that makes pretty much everyone uncomfortable. He doesn’t even try to ease into it… he titled the chapter The Centrality of Death. He pulls us into a conversation about the real issue at stake as we try to live out the Christian life. He writes,
“It is not, for example, a matter of waiting until we no longer have strong sexual desires, but rather that in the midst of the moving of life, surrounded by a world that grabs everything in rebellion, first against God and then against fellow men, we are to understand what Jesus means when he talks about denying ourselves and renouncing ourselves with regard to that which is not rightfully ours.” – Francis Scaeffer, True Spirituality
in the midst of the moving of life … we are to understand what Jesus means when he talks about denying ourselves and renouncing ourselves
Yes, it is in the midst of the moving of life that we get especially uncomfortable with denying ourselves. Because that is when we reach for quick fixes. We have a very real empty filling, but we would prefer to orchestrate our own abundance.
This really got stuck in my soul this week. I would like to think otherwise, but this is my story as much as it is any average New Yorker’s. I self medicate with coffees and chocolates and plans and hipster toys. “Death by choice,” as Schaeffer calls it, does not sound appealing. But, his encouragement is that there is no way around it. If we want the kind of abundance Christ offered, it will come by way of death.
“The order – rejected, slain, raised – is also the order of the Christian life of true spirituality; there is no other.” Schaeffer, True Spirituality
What power is there in being raised if we were never buried? What miracle is there in new birth if the old is still around? The Christian life is an everyday dying of self, an everyday denying of selfish desires. But the Christian life is also an everyday revival and an everyday raising.
My soul is looking like a seesaw over this truth.
I am learning what it means to die to self everyday so that I can live the miracle of being raised. That is when abundance starts to make sense – when you know what you have died to and what you have been raised for.
The sky was beautiful today, but it is not forever.
The pale blue will not always look so perfect; the clouds will not always stretch across it like orphaned feathers. There is nothing permanent about the beauty we see around us. Like the thick ribbons of snow from yesterday getting trampled into brown slush underfoot today, there is nothing permanent about the beauty on this earth. At least not now.
And I have a hunger for the beauty, for the kingdom come, for the eternal. I have a hunger for a beauty that will last forever. We are in the middle of the dead of winter and sometimes it feels like our stone hearts are as dead as the dirty brown earth the snow is covering. It feels like our hearts are too dead to be revived by beauty.
Here is a bouquet of sorts. This song sounds to me like a beautiful flower delivery today – beauty and life in the dead of winter’s grim. Open it and listen and sing and rejoice because Christ makes beauty possible and Christ makes beauty secure.
As I celebrate the presence and beauty of Christ in Epiphany, I am also looking ahead (as Christ’s followers must have). I am looking ahead because, as Christ forgave sins and healed sinners, He was looking ahead to the cross.
Being present does not mean forgetting future glory. Being present does not mean avoiding future pain. Being present does not mean poor planning.
As Christ planted His presence in the soil of this earth, He also looked ahead to the ultimate sacrifice and endured it “for the joy set before Him.” He looked forward to the day He would satisfy justice and restore His children.
Rock of Ages, you have brought me near
You have poured out your life-blood, your love, your tears
To make this stone heart come alive again
Rock of Ages, forgive my sin.
Christ is the beauty that is forever, when the skies wear out.
Christ is the beauty that makes stone hearts come alive again.
Christ is the beauty that is hope secure.
Her song “this tornado loves you” was the inspiration for all the surprise birthday party craziness. Well, her and Patrick’s obsession with surprises. I wanted the whole night to feel like a tornado – the surprises, the plans, and the people. But, the best kind of tornado – the reason why Helen Hunt was one of those storm chasers in the movie Twister. Because there is something exciting about getting swept up in that spinning motion; there is something really thrilling about the energy in the air that can lift things off the ground.
That’s the kind of feeling I wanted to create.
The surprise-keeping was torture. Last night, after he walked in and looked like this:
photos courtesy of Chris!
…after that I started breathing again. Why was it so important for him to walk into a room full of people celebrating him unexpectedly? Because he loves surprises and I love him.
All the weeks of knotted up insides and half-truth schemes and several versions of party themes… all of it was worth the look on his face when he realized his friends in this city will do crazy things to make him feel special.
He didn’t make it easy, though. He wanted to come over yesterday to help me deep clean my apartment (from the terrarium party the week before). After I had hidden the morning’s baked goods and refrigerated the first of many bacon treats and covered the rum bacon ice cream, I relented. He brought over fresh doughnuts and his Swiffer (the good kind that sprays) and immediately handy-manned a lamp we’ve been needing to fix. Then he spent a good 20 minutes beating my area rug on the fire escape before we cleaned all the floors. He almost insisted on carrying my laundry down, but I wiggled out of that one (because the laundry was a ruse to get him out for a few hours, but I legitimately need to do laundry desperately).
When he left, my party planners (and the best friends ever) arrived and we set the tornado in motion.
And then I changed our dinner plans so many times that he became very hangry. He got so frustrated (to be fair, we had planned to eat at 6:30 and I didn’t tell him where to meet us until 7:30). Instead of being suspicious, he was just a really severe combination of hungry and angry. I can thank his stomach for helping to keep the surprise, I guess. But I felt horrible. When he opened the door and I was dressed up, he still didn’t think anything of it. He was mostly still hangry.
But then he turned the corner and a room full of people sang to celebrate him. And that whole scene made me so happy!
People brought magnets (one of Patrick’s random favorite things) and wrote memories down on tornado cards. There was bacon ice cream and bacon wrapped dates and candied bacon and nutty bacon chocolate bark and chocolate chip cookies and chocolate cake. And there was laughter.
Midway through the party, Patrick read one of the tornado cards that said “this surprise has wheels.” And everyone grabbed coats in time to make the B43 a party bus (the driver even said Happy Birthday, Pat over the microphone when we got off). We caught a sweet concert that our friend Rebecka rocked out, where we met more friends and ANOTHER surprise cake. From there we headed to one of our favorite spots to close out the night with some multi-colored disco lights and some of Pat’s best dance moves. It was all so good, it almost felt like I was the one unwrapping gifts all night.
But after all that, after all the party planning and party having and party traveling, my favorite part was this morning. It didn’t have anything to do with the party last night, but it was the most special thing.
We were sitting in church with big grins across our faces. We greeted our friends we had seen just hours before and we passed the peace to friends we hadn’t seen in awhile. We worshipped in song and through prayer and with full hearts as the sun reached through stain glass to warm the tops of our heads. And as we stood in line for communion, we heard “Jesus Paid It All” circling over our heads.
This was my favorite part. There is a bigger tornado of love that swallows up any we can create. It’s heavy and light and mysterious and reckless. And it happened this morning when I heard about Jesus healing the paralytic.
As much as we love surprises – giving and receiving and sharing – God must love them most. He made us to have that face we have when we walk into a roomful of people who want to celebrate us. He made us with insides that knot together in nervous excitement when we don’t want to spoil the story. He made us and we reflect Him. So He must love surprises. I wonder what face He wore when He surprised creation with His love.
I wonder what His delight looks like when we are surprised by His joy and grace every day.
We’re still in that season on the church calendar called Epiphany, but it sure is easy to forget about it. Without the Christmas clutter, whether we embrace it or fight it, we are less aware of any spiritual season. At least I am.
And then a song comes through my headphones on my way to work in the morning called Lazarusby Jon Guerra. I remember that this season is about practicing presence. I remember that Jesus walked the earth – that He came to live with us, inside our human struggle. And when he saw pain and death and sickness, he walked towards it. He was fully present in every kind of place with every kind of person.
This is how Jesus responded when the sisters sent word that the one He loved was sick,
“But when Jesus heard it he said, “This illness does not lead to death. It is for the glory of God, so that the Son of God may be glorified through it.” John 11:4
He did not rush like an EMT to the scene or run the opposite direction from the tragedy’s sadness. He did not avoid Judea, though the people tried to stone him the last time he was in town. Jesus was slow, steady, and confident that his presence possessed the authority of the One who sent Him.
And I forget that.
I forget that Jesus is present in the darkness of this world and present in the darkness of my heart. He walks toward the darkness and offends it with the light of His truth. He walks toward dead bones and this is what he says,
Jesus said to her, “I am the resurrection and the life. Whoever believes in me, though he die, yet shall he live, and everyone who lives and believes in me shall never die. Do you believe this?” John 11:25-26
His presence means resurrection and it means life. And we are all Lazarus, dead for four days, lost in darkness. We are all wrapped up, bodies bandaged and cold, when He makes Himself present to us and then makes us alive to Him. Do we believe this? Do we live believing that faith means we will never die? Do we walk out God’s daily miracles of future grace with a confidence of one who will live forever?
When he had said these things, he cried out with a loud voice, “Lazarus, come out.” John 11:43
Every day, he stands at the door of our death tombs and says, “Come out.” He reminds us that He is present here in this dark day and in our dark hearts. He calls for us to be present with Him and to be His presence. He calls us to “come out” of darkness in order to speak life into a world of death.
This is the season of Epiphany, where we celebrate Jesus being present among us. Let us not forget all His benefits (Psalm 103)!
Sometimes we come to the end of ourselves for ourselves.
We get dried up. We go looking to get filled because emptiness doesn’t feel like the most abundant way to live. And we all want abundance.
But other times, we come to the end of ourselves because an empty vessel cannot fill another. We want to pour out love and grace, but when the glass is tipped there is nothing but air.
I don’t have kids yet, but I imagine I will feel this way often or at least I will fight it on the regular. I will want them to feel loved and blessed and cared for in a special and unique way. And just as often I will feel my limitations.
If you are like me, you imagine what you would do with an infinite vessel. You imagine, with an infinite vessel, you could really love someone well. If your resources were never exhausted, you could really communicate the love that twists up your insides. At least, that’s what I imagine.
Because sometimes it feels like I need too much maintenance to love at all, like I’m so concerned with getting filled up that I can’t pour out love the way I wish I could – with extravagant gifts and slow conversations and donated afternoons/evenings. I feel like every time I tip my glass only air comes out.
This is a nice idea from Azure Ray… that we could make hearts feel always loved, if we are willing to make crazy sacrifices.
But on the days when I come to the end of myself for someone else, I remember it is not my glass that fills their cup.
It is not my gifts or conversations or donated evenings that makes their life abundant. It is another source entirely. God knows about our dry, empty hearts. He knows when we tip our glass and only air comes out.
And He is the One who fills us, for whatever reason we are feeling empty.
MUSINGS IN THE MIDST 