I found myself outside early and the cool of the morning rushed over my bare legs. I welcomed the goosebumps and the good feel of a sweater hugging my shoulders. The morning chorus caused my limbs to laze, tucked into that cozy angle of our little outdoor chairs and my grandma’s afghan. My fingers found the holes, like always, curling around the knots and clinging to the wide, soft stitches. I breathed in the cool, deeply, as if I was getting ready to sing. But, I let the morning sing a solo while I listened.

This song is the song of these late summer mornings outside. Not because it plays audibly or even in my head, but just because it is what I’m doing. Meeting with. Pausing. Listening. Questioning. Slowing Down. Being with Jesus. Early is the only space and time that makes sense right now. And the song is one I hear in the birds and the breeze and the distant Marta train. The sway of the leaf dropping trees and sometimes the traffic on Sylvan Road.

I looked out on our little, sleepy street and took note of the days it had been since I had seen someone working on Tameka’s house. And right next to it, Noor’s house stared at me with two dark hollows upstairs where windows should be. Two renovations-in-progress that both feel a little bit like our street is pregnant. We are waiting and hoping and expecting the spaces to fill with life, but they haven’t yet.

I sat in my quiet perch and noticed the pile of chair and bed and dresser emerge from the morning haze as a strange monument to our neighbor’s transition. Mr. Banks passed. His step-daughter found us as we were heading out to the library the morning it happened. She crossed the street to meet me at our front yard’s edge to tell us the news. Her body was a mix of exhaustion and sorrow-slumped shoulders… that posture that almost always accompanies grief. Our bodies do know, the very nerve endings feel it. I just read an article that quoted a scientist saying something like grief is our brains trying to use the maps inside our hearts but finding them wrong and wanting. That feels accurate.

My mind drifted to the grief on the pages of another novel I’m in the middle of, Homeward. It’s set in 1962 and, in a scene I read late at night this week, Rose received news her husband was killed in active duty. Not long after, she went into labor and delivered her baby girl stillborn. The scenes following are familiar, even though I never birthed a baby stillborn or navigated the 1960s as a Black woman whose husband went off to war. Grief is not partial.

“And before I knew it, I was making sounds I had never heard come out of me before. … Nobody tried to tell me to stop. They just let me cry. … It was like birthing a baby all over again, but this time, the baby was grief, and they were my midwives. They weren’t here to stop my pain; they were here to bear witness to it.” ( p. 98, Homeward by Angela Jackson-Brown).

I remember when my greatest grief got born in our little Brooklyn apartment, the two of us huddled around a cell phone with the late summer light streaming in at a slant from the south windows. Grief is not partial, but we are not naturally trained grief midwives. Grief is everywhere, but we seem to run from it and all its graves– quick to have some other place to be or more important things to do. The women tending to Rose and Pat tending to me were very different scenes, but one similarity emerges.

And it emerged in the pages of yet another book this week, The Tales of Hibaria. This fantastical book of short stories is all situated around a boy who has been collecting these tales as they have been told to him from around the islands of Hibaria. This particular story was about a boy, Hart, whose entire family and village and every single soul he knew was wiped out by a disease brought to their island from a trader. Hart left his house and climbed into a boat and set off down a river that cut through a tall, tall forest (where no one really ever came back from). He’s by himself in this boat, finally letting all the grief have its way when a badger appears and climbs in beside him. The scene that unfolds cut my heart open.

Presently, Hart said, this time without bitterness, “What do you know of grief?”

For a long time, the badger did not reply. Then it said, “That it is a deep wound. That it feels as though it will never go away. That it feels as though it will never heal.”

“That is not very comforting,” said the boy.

“Perhaps. But that is what you are feeling, is it not?”

Hart nodded.

The badger reached down and picked up a pair of broken lanterns that lay in a tangle of rope in the bottom of the boat. The creature hung one from the sternpost behind them and then made its way to the bow and hung the other from the stempost. As the badger returned to sit beside Hart the lanterns suddenly flared bright.

“You feel that hope and beauty are dead, but they are not. They are only hidden from you for a time, made invisible by your grief.”

“But what do I do?” Hart had begun to cry again, the tears streaming down his cheeks.

“We sit,” said the badger gently. “And you mourn, which is no easy thing, while I help you to remember that there is light when all you see is darkness. We sit, and travel this slow river road together until we come out on the other side.” (p. 75, Tales of Hibaria)

Grief is not partial and it doesn’t just find us at death. It is change. It is being a stranger. It is watching a dream die. It is someone else’s loss. It is learning of grievous, unrepentant sin. It is paving old growth forests. Because, well, it’s all death. Or, at least, it is the reminder that before Adam and Eve ate the fruit of the tree of the knowledge of good and evil there was no word for grief. There were no lines in the DSM-V, no documentaries to tell the stories of suffering, no oral traditions to speak of the layers of pain and brokenness. We, with Adam, have chosen our destruction and we, with Adam, now have to birth or bear witness to grief in all its shapes and forms.

It’s sitting. It’s weeping. It’s being beside. It’s joining with. It’s stooping low. And I can’t help but think of the impossibility of a Creator God who did all those things. He sits in our grief boats and lays in our grief beds and walks on our grief paths. And he knows it all, deeper than any inner map we are lost inside. He feels it in His innermost and still He comes.

What an indescribable grace.